Italian political cinema: Surveying a once glorious genre in times of anguish
dc.contributor.author | Testa, Carlo | |
dc.date.accessioned | 2006-02-28T20:34:18Z | |
dc.date.available | 2006-02-28T20:34:18Z | |
dc.date.issued | 2006-02-28T20:34:18Z | |
dc.description | A paper presented in February 2005 to the colloquium. | en_US |
dc.description.abstract | Because in the Entralogos context I will dwell in some detail on the theoretical issues underpinning my interest in literature and culture, in the present pages I shall focus instead on some specific historical aspects of the dialectics between Italian society and Italian cinema. In particular, I shall concentrate on what it has become customary to describe by the term "political cinema," as well as some of its reverberations in a genre not normally associated with it: the "comedy Italian style." The two sections on cinema politico and commedia all'italiana will thus constitute the two main articulations of my argument. However, since I cannot assume a specific familiarity with post-WWII Italy among the interdisciplinary community of my readers, I shall introduce those two mini-chapters by a prologue presenting, in broad strokes, the relevant socio-historical context of the peninsula. At the end, I shall return to considerations of a more general cultural import about the challenges of the times in which we live. | en_US |
dc.description.sponsorship | Italian Studies Colloquium | en_US |
dc.format.extent | 78336 bytes | |
dc.format.mimetype | application/msword | |
dc.identifier.uri | https://hdl.handle.net/1813/2654 | |
dc.language.iso | en_US | |
dc.subject | Italy | en_US |
dc.subject | Political Cinema | en_US |
dc.subject | Pasolini | en_US |
dc.subject | 1970s | en_US |
dc.title | Italian political cinema: Surveying a once glorious genre in times of anguish | en_US |
dc.type | report | en_US |
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